01393cam a2200253 a 45000010011000000030006000110050017000170080041000340100015000750200028000900350015001180350013001330500022001460500022001680820016001901000025002062450066002312600035002972640033003323000046003655040060004115050637004716500031011080000031399OCoLC20230921135838.0040405s2004    nyum     b   a001 0 eng    a2004007969  a9780826415684 :c$35.00  a.b58160255  a5495994400aPN1996b.G84 200400aPN1996b.G84 200400a808.2/32221 aGulino, Paul Joseph.10aScreenwriting :bthe sequence approach /cPaul Joseph Gulino.  aNew York :bContinuum,cc2004.  aNew York :bContinuum,c2004  axiv, 230 pages :billustrations ;c21 cm.  aIncludes bibliographical references (p. 225) and index.0 aWhy sequences? -- The origin of sequences -- How a screenplay works -- How sequences work -- Toy story: firing on all eight -- The shop around the corner: fractured symmetry -- Double indemnity: flashback to the future -- Fellini's nights of Cabiria: nocturnal episodes -- North by northwest: 1,700 miles in nine sequences -- Lawrence of Arabia: sixteen sequences and an intermission -- The graduate: passive main character -- One flew over the cuckoo's nest: midpoint reversal -- Air Force One: eight sequences eight miles up -- Being John Malkovich: the disappearing lead actor -- The fellowship of the ring: the shotgun approach. 0aMotion picture authorship.