000			01580cam a2200325 a 4500
001			0000031399
003			OCoLC
005			20230921135838.0
008			040405s2004 nyum b a001 0 eng
010			_a2004007969
020			_a9780826415684 : _c$35.00
035			_a.b58160255
035			_a54959944
049			_aOSU&
050	0	0	_aPN1996 _b.G84 2004
050	0	0	_aPN1996 _b.G84 2004
082	0	0	_a808.2/3 _222
100	1		_aGulino, Paul Joseph.
245	1	0	_aScreenwriting : _bthe sequence approach / _cPaul Joseph Gulino.
260			_aNew York : _bContinuum, _cc2004.
264			_aNew York : _bContinuum, _c2004
300			_axiv, 230 pages : _billustrations ; _c21 cm.
504			_aIncludes bibliographical references (p. 225) and index.
505	0		_aWhy sequences? -- The origin of sequences -- How a screenplay works -- How sequences work -- Toy story: firing on all eight -- The shop around the corner: fractured symmetry -- Double indemnity: flashback to the future -- Fellini's nights of Cabiria: nocturnal episodes -- North by northwest: 1,700 miles in nine sequences -- Lawrence of Arabia: sixteen sequences and an intermission -- The graduate: passive main character -- One flew over the cuckoo's nest: midpoint reversal -- Air Force One: eight sequences eight miles up -- Being John Malkovich: the disappearing lead actor -- The fellowship of the ring: the shotgun approach.
650		0	_aMotion picture authorship.
908			_a210316
913			_aN
989		7	_a20230822095114.0
999			_c12845 _d12845