MARC details
| 000 -LEADER |
| fixed length control field |
04247cam a22004691i 4500 |
| 001 - CONTROL NUMBER |
| control field |
0000030614 |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
| control field |
20230921135256.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
| fixed length control field |
161018s2017 nyum b a001 0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
| International Standard Book Number |
9780190610722 : |
| Terms of availability |
US$30.00 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
| International Standard Book Number |
0190610727 |
| 035 ## - SYSTEM CONTROL NUMBER |
| System control number |
(OCoLC)960835269 |
| 035 ## - SYSTEM CONTROL NUMBER |
| System control number |
(OCoLC)960835269 |
| 040 ## - CATALOGING SOURCE |
| Original cataloging agency |
YDX |
| Language of cataloging |
eng |
| Description conventions |
rda |
| Transcribing agency |
YDX |
| Modifying agency |
BDX |
| -- |
OCLCQ |
| -- |
CLE |
| -- |
HCD |
| 043 ## - GEOGRAPHIC AREA CODE |
| Geographic area code |
n-us--- |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER |
| Classification number |
E185.86 |
| Item number |
.F4342 2017 |
| 082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER |
| Classification number |
323.1196/073 |
| Edition number |
23 |
| 092 ## - LOCALLY ASSIGNED DEWEY CALL NUMBER (OCLC) |
| Classification number |
323.1196073 |
| Item number |
F3129h 2017 |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
| Personal name |
Feldstein, Ruth, |
| Dates associated with a name |
1965-, |
| Relator term |
author. |
| 245 10 - TITLE STATEMENT |
| Title |
How it feels to be free : |
| Remainder of title |
black women entertainers and the Civil Rights Movement / |
| Statement of responsibility, etc. |
Ruth Feldstein. |
| 246 3# - VARYING FORM OF TITLE |
| Title proper/short title |
Black women entertainers and the Civil Rights Movement. |
| 250 ## - EDITION STATEMENT |
| Edition statement |
First issued as an Oxford University Press paperback [edition] |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. |
| Place of publication, distribution, etc. |
Open Shelf : |
| Name of publisher, distributor, etc. |
Oxford Univesity, |
| Date of publication, distribution, etc. |
NewYork, |
| -- |
2013. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
| Place of production, publication, distribution, manufacture |
New York : |
| Name of producer, publisher, distributor, manufacturer |
Oxford University Press, |
| Date of production, publication, distribution, manufacture, or copyright notice |
2017. |
| 264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
| Date of production, publication, distribution, manufacture, or copyright notice |
c2013. |
| 300 ## - PHYSICAL DESCRIPTION |
| Extent |
296 pages : |
| Other physical details |
illustrations ; |
| Dimensions |
25 cm. |
| 336 ## - CONTENT TYPE |
| Content type term |
text |
| Content type code |
txt |
| Source |
rdacontent. |
| 337 ## - MEDIA TYPE |
| Media type term |
unmediated |
| Media type code |
n |
| Source |
rdamedia. |
| 338 ## - CARRIER TYPE |
| Carrier type term |
volume |
| Carrier type code |
nc |
| Source |
rdacarrier. |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
| Bibliography, etc. note |
Includes bibliographical references and index. |
| 505 0# - FORMATTED CONTENTS NOTE |
| Formatted contents note |
Performing civil rights -- "The world was on fire": making New York City subcultures -- "Africa's musical ambassador": Miriam Makeba and the "voice of Africa" in the United States -- "More than just a jazz performer": Nina Simone's border crossings -- "No one asks me what I want": Abbey Lincoln, Diahann Carroll, and the promise of integration in popular culture -- "So beautiful in those rags": Cicely Tyson, popular culture, and African American history in the 1970s. |
| 520 ## - SUMMARY, ETC. |
| Summary, etc. |
"In 1964, Nina Simone sat at a piano in New York's Carnegie Hall to play what she called a "show tune." Then she began to sing: "Alabama's got me so upset/Tennessee made me lose my rest/And everybody knows about Mississippi Goddam!" Simone, and her song, became icons of the civil rights movement. But her confrontational style was not the only path taken by black women entertainers. In How It Feels to Be Free, Ruth Feldstein examines celebrated black women performers, illuminating the risks they took, their roles at home and abroad, and the ways that they raised the issue of gender amid their demands for black liberation. Feldstein focuses on six women who made names for themselves in the music, film, and television industries: Simone, Lena Horne, Miriam Makeba, Abbey Lincoln, Diahann Carroll, and Cicely Tyson. These women did not simply mirror black activism; their performances helped constitute the era's political history. Makeba connected America's struggle for civil rights to the fight against apartheid in South Africa, while Simone sparked high-profile controversy with her incendiary lyrics. Yet Feldstein finds nuance in their careers. In 1968, Hollywood cast the outspoken Lincoln as a maid to a white family in For Love of Ivy, adding a layer of complication to the film. That same year, Diahann Carroll took on the starring role in the television series Julia. Was Julia a landmark for casting a black woman or for treating her race as unimportant? The answer is not clear-cut. Yet audiences gave broader meaning to what sometimes seemed to be apolitical performances. How It Feels to Be Free demonstrates that entertainment was not always just entertainment and that "We Shall Overcome" was not the only soundtrack to the civil rights movement. By putting black women performances at center stage, Feldstein sheds light on the meanings of black womanhood in a revolutionary time."--Publisher's description. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
| Topical term or geographic name entry element |
African American women political activists |
| General subdivision |
History |
| Chronological subdivision |
20th century. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
| Topical term or geographic name entry element |
African American women entertainers |
| General subdivision |
Political activity |
| -- |
History |
| Chronological subdivision |
20th century. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
| Topical term or geographic name entry element |
Performing arts |
| General subdivision |
Political aspects |
| Geographic subdivision |
United States |
| Chronological subdivision |
20th century. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
| Topical term or geographic name entry element |
African Americans |
| Form subdivision |
Music |
| General subdivision |
Political aspects |
| -- |
History |
| Chronological subdivision |
20th century. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
| Topical term or geographic name entry element |
African Americans |
| General subdivision |
Civil rights |
| -- |
History |
| Chronological subdivision |
20th century. |
| 651 #0 - SUBJECT ADDED ENTRY--GEOGRAPHIC NAME |
| Geographic name |
United States |
| General subdivision |
Race relations |
| -- |
History |
| Chronological subdivision |
20th century. |
| 908 ## - PUT COMMAND PARAMETER (RLIN) |
| Put command parameter |
180314 |
| 913 ## - |
| -- |
N |
| 989 #7 - |
| -- |
20230822095114.0 |