Chinhoyi University Of Technology OPAC

How it feels to be free : (Record no. 7556)

MARC details
000 -LEADER
fixed length control field 04247cam a22004691i 4500
001 - CONTROL NUMBER
control field 0000030614
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20230921135256.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 161018s2017 nyum b a001 0 eng d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9780190610722 :
Terms of availability US$30.00
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 0190610727
035 ## - SYSTEM CONTROL NUMBER
System control number (OCoLC)960835269
035 ## - SYSTEM CONTROL NUMBER
System control number (OCoLC)960835269
040 ## - CATALOGING SOURCE
Original cataloging agency YDX
Language of cataloging eng
Description conventions rda
Transcribing agency YDX
Modifying agency BDX
-- OCLCQ
-- CLE
-- HCD
043 ## - GEOGRAPHIC AREA CODE
Geographic area code n-us---
050 #4 - LIBRARY OF CONGRESS CALL NUMBER
Classification number E185.86
Item number .F4342 2017
082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 323.1196/073
Edition number 23
092 ## - LOCALLY ASSIGNED DEWEY CALL NUMBER (OCLC)
Classification number 323.1196073
Item number F3129h 2017
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Feldstein, Ruth,
Dates associated with a name 1965-,
Relator term author.
245 10 - TITLE STATEMENT
Title How it feels to be free :
Remainder of title black women entertainers and the Civil Rights Movement /
Statement of responsibility, etc. Ruth Feldstein.
246 3# - VARYING FORM OF TITLE
Title proper/short title Black women entertainers and the Civil Rights Movement.
250 ## - EDITION STATEMENT
Edition statement First issued as an Oxford University Press paperback [edition]
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. Open Shelf :
Name of publisher, distributor, etc. Oxford Univesity,
Date of publication, distribution, etc. NewYork,
-- 2013.
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture New York :
Name of producer, publisher, distributor, manufacturer Oxford University Press,
Date of production, publication, distribution, manufacture, or copyright notice 2017.
264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Date of production, publication, distribution, manufacture, or copyright notice c2013.
300 ## - PHYSICAL DESCRIPTION
Extent 296 pages :
Other physical details illustrations ;
Dimensions 25 cm.
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent.
337 ## - MEDIA TYPE
Media type term unmediated
Media type code n
Source rdamedia.
338 ## - CARRIER TYPE
Carrier type term volume
Carrier type code nc
Source rdacarrier.
504 ## - BIBLIOGRAPHY, ETC. NOTE
Bibliography, etc. note Includes bibliographical references and index.
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note Performing civil rights -- "The world was on fire": making New York City subcultures -- "Africa's musical ambassador": Miriam Makeba and the "voice of Africa" in the United States -- "More than just a jazz performer": Nina Simone's border crossings -- "No one asks me what I want": Abbey Lincoln, Diahann Carroll, and the promise of integration in popular culture -- "So beautiful in those rags": Cicely Tyson, popular culture, and African American history in the 1970s.
520 ## - SUMMARY, ETC.
Summary, etc. "In 1964, Nina Simone sat at a piano in New York's Carnegie Hall to play what she called a "show tune." Then she began to sing: "Alabama's got me so upset/Tennessee made me lose my rest/And everybody knows about Mississippi Goddam!" Simone, and her song, became icons of the civil rights movement. But her confrontational style was not the only path taken by black women entertainers. In How It Feels to Be Free, Ruth Feldstein examines celebrated black women performers, illuminating the risks they took, their roles at home and abroad, and the ways that they raised the issue of gender amid their demands for black liberation. Feldstein focuses on six women who made names for themselves in the music, film, and television industries: Simone, Lena Horne, Miriam Makeba, Abbey Lincoln, Diahann Carroll, and Cicely Tyson. These women did not simply mirror black activism; their performances helped constitute the era's political history. Makeba connected America's struggle for civil rights to the fight against apartheid in South Africa, while Simone sparked high-profile controversy with her incendiary lyrics. Yet Feldstein finds nuance in their careers. In 1968, Hollywood cast the outspoken Lincoln as a maid to a white family in For Love of Ivy, adding a layer of complication to the film. That same year, Diahann Carroll took on the starring role in the television series Julia. Was Julia a landmark for casting a black woman or for treating her race as unimportant? The answer is not clear-cut. Yet audiences gave broader meaning to what sometimes seemed to be apolitical performances. How It Feels to Be Free demonstrates that entertainment was not always just entertainment and that "We Shall Overcome" was not the only soundtrack to the civil rights movement. By putting black women performances at center stage, Feldstein sheds light on the meanings of black womanhood in a revolutionary time."--Publisher's description.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element African American women political activists
General subdivision History
Chronological subdivision 20th century.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element African American women entertainers
General subdivision Political activity
-- History
Chronological subdivision 20th century.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Performing arts
General subdivision Political aspects
Geographic subdivision United States
Chronological subdivision 20th century.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element African Americans
Form subdivision Music
General subdivision Political aspects
-- History
Chronological subdivision 20th century.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element African Americans
General subdivision Civil rights
-- History
Chronological subdivision 20th century.
651 #0 - SUBJECT ADDED ENTRY--GEOGRAPHIC NAME
Geographic name United States
General subdivision Race relations
-- History
Chronological subdivision 20th century.
908 ## - PUT COMMAND PARAMETER (RLIN)
Put command parameter 180314
913 ## -
-- N
989 #7 -
-- 20230822095114.0
Holdings
Withdrawn status Lost status Damaged status Not for loan Home library Current library Date acquired Total Checkouts Full call number Barcode Date last seen Copy number Price effective from Koha item type
        Chinhoyi University of Technology Libraries Chinhoyi University of Technology Libraries 09/21/2023   E 185.86 FEL BK0051148 09/21/2023 c.043140 09/21/2023 Books
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